The first
time I ever volunteered with Earthwatch, I went to the jungles of Costa Rica to
look for caterpillars and study their parasites. I know, not everyone’s cup of
tea – but I was very excited about it.
Half of our
time there was spent at the La Salva Research Station, which is a top-notch
station complete with maids & cooks. Hundreds of scientists (and tourists) visit
each year, with people coming in from all over the world. The other half of our
time was spent at the Tirimbina Biological Reserve, up in the mountains. This
was a much smaller station – we had the whole place to ourselves! No staff, no
tourists, just three scientists and 5 volunteers.
One of the scientists
had brought his music along with him, and had it set up so that we could listen
while we cooked and ate our meals or just relaxed after a hard day of searching.
The music he chose to listen to most often was by Amos Lee - not local
but so mellow and soothing. I enjoyed it so much I looked it up when I got home
and bought two of the cds for myself.
And thus was
born my practice of bringing home music from each of my journeys to remind
myself of the experiences I had and the friends I’d made.
The music
from Mongolia was kind of a no-brainer = of course I ended up with some Mongolian
Throat Singing by a group called Huun-Huur-Tu. I got to see a performance
while in Ulaanbaatar and just could not reconcile what I was hearing with what
I was seeing – I do not know how they do it!

My trip to
Africa was emotionally chaotic. I did not have much of a chance to look for
anything local – but on the plane heading home (a 17-hour journey) I listened
to the music channel on-board and came across two that I really liked. Niyaz
is an Iranian group that blends medieval Sufi poetry and folk songs with
acoustic instrumentation and modern electronics. Sara Tavares was the
other one, a singer/songwriter from Portugal with African roots. Both were intriguing,
so I looked them up when I got home and got several of their albums.
My trip to the
Amazon led me to Eva MarÃa Angélica Ayllón Urbina - a female composer
and singer, one of Peru’s foremost Afro-Peruvian musicians. Even now, years
later, I listen to her music and immediately get transported back to the
streets of Iquitos having a few drinks with the group of volunteers to celebrate
our time together and say our goodbyes.
While in
Lanzarote, the fourth largest of the Canary Islands, we visited a village bazaar
and spend a good three or four hours wandering the streets looking at all the
wares. At one of the tables I heard music that really sparked my interest, so using
my broken Spanish and a few hand gestures, I got the man behind the table to
understand that I wanted to know who was singing. He showed me the CD case, so I
took a picture and was able to find Juan Luis Guerra once I got home. Juan Luis is known for combining merengue and
bachata rhythms with poetic lyrics that often address social issues.

The trip I
took to Patagonia to work with the penguins brought me to Adele. I have
known of her for years, of course (who hasn’t) but one of the scientists on
this trip was so in love with her voice that he played Adele the entire time we
were there. Any time there was music going on, it was always Adele. Now I can’t
hear her sing without thinking of Hilton, my friend from Portugal, and all the
other people I met on that trip.
Last but most
certainly not least, Iceland brought me to two new artists: Kaleo and Of
Men and Monsters. Both of these are a little bit out of my norm, but both
have a unique sound I find really interesting. They can get out of hand with
the screaming and electric guitar – but for the most part, I do like their music.

